Showing posts with label Lunenburg Folk Harbour Festival. Show all posts
Showing posts with label Lunenburg Folk Harbour Festival. Show all posts

Friday, August 9, 2013

Lunenburg Folk Harbour's First Songwriting Camp

It's been an intense few days. Wow.

Co-facilitating the first ever Folk Harbour Songwriting Camp with Kev Corbett was a full-on three days of heart and craft. In trying to teach some young folks how to find out what they had to say and how to say it well in a song, I learned a ton. I learned a ton from our participants. I also learned a ton from Kev, who's a stellar musician.

We went over structure and lyric-writing technique. We listened to songs by masters of the craft. We worked on figuring out guitars and PAs and our voices. We were lucky enough to have visits from David Myles and Rose Cousins, who shared some of their songwriting secrets and gave feedback on some of our participants' tunes.

And we wrote. It was a jam-packed few days.

I think the most poignant moment for me was toward the end of the third day, when I shared this quote with the camp:

“Singers and Musicians are some of the most driven, courageous people on the face of the earth. They deal with more day-to-day rejection in one year than most people do in a lifetime. Every day, they face the financial challenge of living a freelance lifestyle, the disrespect of people who think they should get real jobs, and their own fear that they’ll never work again. Every day, they have to ignore the possibility that the vision they have dedicated their lives to is a pipe dream. With every note, they stretch themselves, emotionally and physically, risking criticism and judgment. With every passing year, many of them watch as the other people their age achieve the predictable milestones of normal life – the car, the family, the house, the nest egg. Why? Because musicians and singers are willing to give their entire lives to a moment – to that melody, that lyric, that chord, or that interpretation that will stir the audience’s soul. Singers and Musicians are beings who have tasted life’s nectar in that crystal moment when they poured out their creative spirit and touched another’s heart. In that instant, they were as close to magic, God, and perfection as anyone could ever be. And in their own hearts, they know that to dedicate oneself to that moment is worth a thousand lifetimes.”
– David Ackert, LA Times

That's why we do what we do. It was an honour to help our young participants more fully join the ranks of the world's brave songwriters.

Friday, February 1, 2013

The End of Month Album Review #1: January 2013

Preamble

Pretty much the only thing I love more than writing and playing music is listening to music and going to live music shows. Fortunately, I live in a hotbed of house concerts and summer festivals. And I buy as many CDs at those events as I can afford.

Since I have access to a wealth of music, much of it extremely good but unfortunately relatively obscure Canadiana, I have decided to add reviews to my blog to share some of my live show and CD experiences with more people. 

I'm tempted to choose this review each month based on the CD that's in my car stereo. That is certainly the case this month, but I don't think I'll keep that as a hard and fast rule. 

1929 by Sheesham, Lotus & Son (2012)

I've seen this Kingston, Ontario-based band several times, both at the Lunenburg Folk Harbour Festival and at an intimate barn concert just across the river from my home (where I bought this CD).

SL&S are tons of fun: quirky, unique and fully-alive in their music. Their stage set-up makes me think of turn-of-the-20th-Century-hawkers mashed-up with Dr. Seuss. With a sousaphone holding down the bass end, this band rollicks out old-time tunes with fiddle, banjo, harmonica, whistling, kazoo, voices and a fascinating contraption that amplifies and distorts and looks like an old ear trumpet. Maybe there's a name for that thing, but I don't know what it is.

This record does a good job at capturing the juice and personality of a live Sheesham, Lotus and Son show. Recorded "In pleasing MONO" and "live off the floor with one North of Princess G7 microphone" as the cover notes brag, the recording is sparse and truly old timey.

The songs are either traditional or covers of songs by jazz and blues songwriters from the early part of the last century. There's a fabulous version of Frankie and Johnny. And the whistling on Lazy, Lazy River will melt your heart. My favourite song of all has got to be "Drunken Nights" about a man coming home drunk to his lover and having her try to explain away the presence of another man in his bed. The song is delivered in character: the slurred and staggering husband and the prim and patronizing wife. It makes me laugh every time.

A great record for fans of old time music or for anyone looking for something a little different: raw, direct songs presented with stellar musicianship, showmanship and verve.